In the aftermath of disaster, Haitians ask what makes a city
Port-au-Prince was decimated when a magnitude 7.0 earthquake struck Haiti in January 2010. Within weeks, settlements began to appear on a barren landscape, shacks and tents spreading over dusty plains. They called it Canaan, the biblical promised land where Moses led the Israelites out of slavery–the land of milk and honey. “This Canaan has the same history,” one pastor, who was among the first to move there, told me. “This is our honey.”
But in Canaan, as in any city, people—the rich and the poor, the powerful and weak, the complacent and the desperate—were destined to get in one another’s way.
As featured in Longreads
Haiti’s earthquake shattered several cities, but it also birthed another. A place with space for the dead is a place with space for the living. And in post-earthquake Haiti, space was in short supply. Called Canaan, after the biblical holy land, a place defined by death has come alive.
Read: Pacific Standard
Mona Augustin stands on land near the Village Grace de Dieu in Canaan, Haiti, with some of the 126 families who have been together since they met in a tent camp called Mozayik after the 2010 quake. After being evicted from Mozayik in 2012, they bought title to this property. The group was later forced to move from the land by armed men who claim their own title to that land. / Allison Shelley
A short drive north from Haiti’s overcrowded capital of Port-au-Prince, a metropolis is rising from a previously desolate landscape. Some 250,000 people have flocked to Canaan in the eight years since an earthquake ravaged Haiti, destroying 100,000 homes. Born out of a disaster, it’s a city without a government, and for many, it’s an experiment in self-determination. But its future is increasingly uncertain.
Built from scratch by people in poorly governed, disaster-stricken Haiti, the city is emerging as an alternative model of urban existence — and its struggle is holding out lessons for similar future pockets that spring up in the aftermath of disasters.
Read the feature story and see photography by Allison Shelley at OZY. Reporting for this story was made possible by a grant from the Pulitzer Center on Crisis Reporting.