In Dominican Republic, a T-shirt factory sets the highest bar for workers’ rights

GlobalPost/GroundTruth
One group of workers who earn a high wage and unusual benefits is helping others earn the same.

Elvira Juan Chale sews t-shirts at Altagracia Apparel, where workers earn three times the Dominican Republic’s minimum wage. Now, Altagracia workers are inspiring other textile employees here to demand higher wages and better working conditions from their own companies. (Jacob Kushner/GlobalPost)

By Jacob Kushner

Founded in 2010 by the collegiate clothing supplier Knights Apparel Inc., Altagracia Apparel pays its workers a so-called living wage, calculated to be about three times the country’s minimum wage for factories in its free trade zones. Altagracia workers earn at least $500 US per month, well above the minimum wage of about $150.
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Four years since Altagracia opened its doors, the factory has become a model of what workers in the Dominican Republic dream to achieve.

Read the full article as it appeared at GlobalPost.

Johnbern Thomas: Jazz in Exile

JazzTimes Magazine
Haitian drummer, displaced by the earthquake, makes his way across the border

Caribbean jazz drummer Johnbern Thomas remembers the dates that changed his career much like any other musician. He remembers the Sunday in 1999 when, at the age of eight, the pastor of his church pulled him aside to say “God has a project for you,” asking him to play in what would be his first ever public performance. He remembers January 28th, 2010—the day he left the only home he’d ever known to try and earn a living in a country where he didn’t even speak the language.

And he remembers how, two weeks earlier, on January 12, he was concentrating so hard practicing riffs from a West African Roots book by Royal Hartigan that he didn’t notice the 7.2-magnitude earthquake that would postpone his dreams of becoming a jazz star in Haiti.

Listen to clips of Thomas performing and demonstrating an African-based rhythm he incorporates into his jazz music:

Click HERE to read the full article as it appeared at JazzTimes.